teaching

I have done enough to know a bit and approach teaching as a chance to share experience. I try to hold the attitude of a fellow learner as opposed to an “expert”. In the words of the great Keith Johnston “a teacher should always reveal themselves to their students, especially if they don’t know something” 

I absolutely love being a facilitator, I find it energising, inspiring, insightful, terrifying and humbling all at once. I have had wonderful moments with students of all abilities, backgrounds and ages. I find every person brings something unique to the class and my job is to help them to get of their own way to release it. I have been to institutions where teachers have been disparaging about their students telling me I wont get much out of this LOT but with connection, play and focused leadership together we’ve had brilliant moments (and some not so brilliant, but thats life right)

I have taught in MANY situations; masked theatre at the Woodfordia Festival to attendees for a giant masked NYE happening, circus to kids in a dry creek bed on an aboriginal community in Central Australia , been resident artist for two years at an independent primary school, run clown classes for adults in a car park in Ireland, staff teacher at a circus school, assistant teacher for a master dance trainer, produced and facilitated the Perth Clown Jam over period of 10 years, ran numerous, numerous community arts workshops and performance development projects across the country AND I would be honoured to be part of your class, workshop, jam, one on one, whatever! 

SO HIT ME UP & LETS MAKE SOMETHING HAPPEN!!

An artfully folded theatre ticket made of textured, heavy matte paper, with surreal patterns—such as abstract swirls and subtly misplaced numbers—printed in muted eggplant and slate blue tones. The ticket is displayed against a backdrop of softly gradient velvet curtains, their folds and fibers captured in exquisite photorealistic detail. Gentle, diffused spotlighting washes the scene, casting delicate shadows and faint highlights on the embossed ticket edges. The composition is centered in frame with a shallow depth of field, keeping the ticket crisply in focus as the background softly blurs. The overall mood is sophisticated yet playfully absurd, aligning with high-art sensibilities and a minimalist, photographic aesthetic that speaks to the eccentric spirit of a refined theatre company website.
A polished black stage pedestal supports an intricate papier-mâché mask, constructed with refined detail and painted in a subdued palette of gray-blues and taupe. Small, unexpected embellishments, like a tiny porcelain teacup or a clock face, are subtly integrated into the mask’s design. The backdrop falls away into gentle darkness, with a soft, focused pool of light illuminating the pedestal and casting long refined shadows. The perspective is eye-level, with the mask slightly angled, capturing nuanced details and surface textures. The overall composition is minimalist and elegantly composed, evoking a mood of enigmatic sophistication and gently surreal artistry perfect for a high-concept theatre company.

Weird Ticket Philosophy

We craft theatre that tilts the ordinary on its axis, mixing whimsy with rigor, absurdity with beauty, to invite curiosity and reverence in every encounter.